1) If you could choose one episode from the previous seasons to revisit/recreate using the resources Telltale currently has at its disposal, which would it be? Why?
2) The animation student/hobbyist in me is curious: As far as you can answer, how much of what's involved in creating an animated short or feature film translates into how you create games? Especially now that you're able to use a more cinematic approach?
3) From what we know so far, The Devil's Playhouse is continuing a pattern we've seen in all of Sam & Max's incarnations -- Max gets to stumble onto and wield great power while Sam maintains something of a Badass Normal status (all minor deviations from which notwithstanding). If you could think of a good enough plot- or character-related reason to buck that trend in a major if non-permanent way, would you do it? Or do you guys think this particular dynamic is too important or intregal to tamper with?
How difficult is it to program for PC and Mac at the same time? I seem to remember someone saying back when TTG first started that it was like making the same game twice.
What changed?
Hey a question for me! As we've done games on the Wii and Xbox, our engine has gotten better and better about keeping platform specific code isolated. The Mac port definitely builds on the architectural work we've done for past platforms. I wasn't at Telltale at the time, but I hear the first non-PC game we did was quite painful.
Were you going for any other strange animals before Skun Ka'pe
Telltale tries to be species-blind and cast whoever's best for the part, whether they're human or animal. General Skun-ka'pe is an evil intergalactic warlord who just happens to be a gorilla.
Is there any chance of an appearance by Mack Salmon?
There is if you truly believe in him!
Actually, it's unlikely. Mack Salmon (and Commander Blip and the Rubber Pants Commandos, too) is a great character, but he kind of works best as a one-shot. They did a pretty good job bringing him back for an episode of the cartoon series, but in the games we're trying to hit a balance between hitting all the stuff you like from the comics and also introducing new stuff.
Apparently I am not keeping up with TTG too much. What's this horrible puzzle in 204 you guys were talking about?
I believe it's mentioned in one of the commentary tracks. The puzzle where you had to make young Max not like girls was originally intended to involve a game of spin-the-bottle. It was changed into a much better idea.
Does the writer already include some puzzles, or get all of them added in afterwards? Or does the writer actually write story around puzzles already designed in the spinning session mentioned before?
Writing and design are more closely tied together at Telltale than a lot of other companies, since the games are so heavily story-based. Usually the writer and designer are the same person, or the writer is at least involved in the design meetings. We always (so far anyway) start with the story, and then try to figure out how the big story moments could break down into obstacles that the player can get solve.
I know that this is a very long ways off, but have you guys thought of doing a "Make-Up an Episode" contest for season 4 of Sam & Max? I only ask because some of the fans of the series might have some very weird/funny ideas for future episode that you guys might like to use.
Episode 1 of season 3 isn't due out for a while, so we haven't even begun to think of season 4. We'll probably think up some way to get the forums involved in season 3, although it can't be as huge as an entire episode since we've got the storyline pretty much wrapped up.
I've read on some previews that you're slightly changing the way we go about solving puzzles in this season over last, any chance of a little enlightenment on what that could mean?
It's probably in reference to Max's psychic powers. The idea is that a lot of adventure games work by having you collect a ton of stuff in your inventory and then making you figure out what each item's specific purpose is. In the new season, we're putting more emphasis on Max's powers -- there are fewer of them, but you know exactly how they work, and you can use them in multiple different ways.
One example is Max's future vision power. He can use it on most characters and some objects to get a short scene showing their future. The idea is how does it change traditional adventure game puzzles if you get the solution first, and then have to work backwards from that?
I've also seen that we have more control over max in this version does that mean we'll possibly be seeing a switch character control button in the regular environment vs just in dialog?
At just about any point of the game, you can hit a button and switch control from Sam to Max (and vice versa). In Max mode, you enter Max's mind and can look around through his eyes. Max mode is where you use Max's psychic powers. Sam mode works pretty much like it always has -- you can walk around, look at things, add stuff to your inventory, start dialogues, etc.
What all old characters will we see, like will sybil, abe, Bosco, etc... be in, or will some of the characters not return?
I can't tell you all the characters that'll show up, or it'd ruin the surprises later on. I will say that some of the characters from previous seasons will be back, and several won't. Some of the characters' stories were pretty much finished in season 2, so there's not much point bringing them back.
Nope, still no inventory combination in Sam & Max. It's something that's inherent to Monkey Island games, so it would've felt odd if it hadn't made it into those. But the Sam & Max games never really seem to need it.
No, most of the powers work on characters or objects in the world, or Sam & Max themselves. The stuff in Sam's inventory is usually pretty straightforward and just works on its own.
because of the computer trying ot move maxes inventory istems, will he have an inventory/be a playable character.
I may be misunderstanding your question, but: Max's "inventory" is his psychic powers. He is a playable character, but you don't use him to walk around and look at/use things around the world, because that would be overkill. Sam already does that, and Max already chimes in whenever he has something to say.
So I notice some plain references to Howard Lovecraft in the image and title of the final episode. Without giving any spoilers away, how much inspiration from Lovecraft or references to him has actually been used in this season?
This season mashes together a bunch of stuff we (and Sam & Max) think is cool, so the references are all over the place. There's some science fiction, horror, film noir, mystery, pulp adventures, and some more stuff that I'm probably forgetting right now. Lovecraft is one of the influences, so good catch just from the title.
Now seriously, what do you first in designing? The Puzzles or the story or everything at the same time?
Because Telltale's games are so story-heavy, you can't do puzzle design without story, and vice versa. So it's all done at the same time, and the goal is that the obstacles fall naturally out of the story without feeling like "puzzles."
From the beginning of the teaser, I've wondered to myself "Why psychic powers?" how did this brilliant idea get formed and why wasn't it used sooner?
-splash1
To elaborate on what Chuck said, in the comics it's been hinted/insinuated that Max has latent psychic abilities, and they made a very public appearance in the comic "Beast from the Cereal Aisle," wherein Max does weird psychic battle with... a beast from the cereal aisle of a local grocery store.
Here's a panel:
So not only is it weird, but it's canon as well ... if there's such a thing as "canon" in Sam & Max.
(PS: If you're a Sam & Max fan but haven't yet read the comics, you definitely should. And yes, in fact, we do sell the comic collection right here in our store.)
Have you been able to integrate any of the ideas from Plunge Through Space you never had a chance to realise but wanted to explore further in The Devil's Playhouse?
Not really, partly because that game would've taken Sam & Max way into science fiction territory, and this season is a little more grounded. Besides, it's always more fun to come up with new stuff than cling to an idea that's a decade old at this point. Plus, the story for Plunge Through Space came from Steve, so it'd be better to let him do what he wants with it, if anything.
If you could choose one episode from the previous seasons to revisit/recreate using the resources Telltale currently has at its disposal, which would it be? Why?
Some of the other guys may have a different answer, but I wouldn't really redo anything. I think the new environments and characters look fantastic, and it's great to see everybody's hard work paying off and the chore guys' having more tools at their disposal. But I'm not an art guy, so the appeal of the other episodes was always the stories and the characters, which worked fine with the "old-style" environments.
I saw a comment somewhere saying that the models hadn't been improved in season 3, which is disappointing since they got bumped up exactly where it counts: in the faces. They can do a lot of the expressions from the comics now, and it makes a world of difference. It would be interesting to see how the old scenes play out with the new facial animation, but I think the jokes carried about as well as they could even with the old models.
(While I'm thinking of it: I've actually seen some people online complaining that Sam & Max should've been made "furry". That's just wrong!)
As far as you can answer, how much of what's involved in creating an animated short or feature film translates into how you create games? Especially now that you're able to use a more cinematic approach?
A lot more than I'd be able to tell you, since I don't really come from that background. The chore artists have a lot more power now to use more interesting camera angles and make more interesting camera movements, especially since we've switched over to direct control. And there's a lot more power on the lighting side of things as well, so Derek Sakai's been able to do some fantastic things with lighting the scenes and using dynamic lights. You'd think it's subtle until you see it in action, and it makes a huge difference. (We don't use pre-rendered screenshots anymore!)
It's gotten sophisticated enough that there's now a separate "cinematic director" role at the studio, to look at the game as if it were an animated film and make sure all the scenes and setups work cinematically. Nick Herman handled that on 301, along with Dennis Lenart as lead chore artist.
From what we know so far, The Devil's Playhouse is continuing a pattern we've seen in all of Sam & Max's incarnations -- Max gets to stumble onto and wield great power while Sam maintains something of a Badass Normal status (all minor deviations from which notwithstanding). If you could think of a good enough plot- or character-related reason to buck that trend in a major if non-permanent way, would you do it? Or do you guys think this particular dynamic is too important or integral to tamper with?
Well, the comics treat Sam & Max as roughly equal in terms of insanity, but we have a harder time doing that in videogames. You can't have your "main" character be as completely unpredictable as Max, or you wouldn't be able to have any control over the story. So we've had to rein Sam in a little, and make him a little more Guybrush-y. We've been looking for ways to bring back a little of Sam's mania, though, and give him some more jokes instead of just handing them all over to Max. Over the course of the season, you should see Sam's character getting more interesting.
But you know, Max just is, and that's half the fun of the characters.
Excuse me, but I'm pretty sure Telltale has made two episodic seasons' worth.
Do season 1 and 2 ever explicitly say they're in New York? In any case, in the past Sam & Max's street has been the focus. In the new season, we're making an effort to acknowledge that their street is part of a bigger city and let them do a little more exploring close to home.
Do season 1 and 2 ever explicitly say they're in New York?
No, I was just being snarky. :cool:
You mentioned above that Plunge Through Space would take them far into Sci-Fi territory, while this is more "grounded". Is deep space the next logical step, though? For the story to get "bigger", do we have to...well, plunge through space? Or can we be content to have Sam and Max just drive to Mars once while globe-trotting?
Is deep space the next logical step, though? For the story to get "bigger", do we have to...well, plunge through space? Or can we be content to have Sam and Max just drive to Mars once while globe-trotting?
Does the story have to get bigger? I think it can get different. Sam & Max isn't like Lost where each season we zoom out to an even more macro view. It could take a hard right turn and spend half the season in a pocket dimension found in Jimmy Two-Teeth's rathole, and would be alright.
Some of the other guys may have a different answer, but I wouldn't really redo anything. I think the new environments and characters look fantastic, and it's great to see everybody's hard work paying off and the chore guys' having more tools at their disposal. But I'm not an art guy, so the appeal of the other episodes was always the stories and the characters, which worked fine with the "old-style" environments.
The writing and characters is what I fell in love with in the earlier games, and I wouldn't be here if I didn't believe I was getting more of that along with the snazzy new visuals. So a definite "agreed" on that point.
I saw a comment somewhere saying that the models hadn't been improved in season 3, which is disappointing since they got bumped up exactly where it counts: in the faces. They can do a lot of the expressions from the comics now, and it makes a world of difference. It would be interesting to see how the old scenes play out with the new facial animation, but I think the jokes carried about as well as they could even with the old models.
The improved facial animations were one of the aspects of ToMI I got the most excited about. I'll take expressiveness over superfluous polygons any day. On that note ...
Well, the comics treat Sam & Max as roughly equal in terms of insanity, but we have a harder time doing that in videogames. You can't have your "main" character be as completely unpredictable as Max, or you wouldn't be able to have any control over the story. So we've had to rein Sam in a little, and make him a little more Guybrush-y. We've been looking for ways to bring back a little of Sam's mania, though, and give him some more jokes instead of just handing them all over to Max. Over the course of the season, you should see Sam's character getting more interesting.
Makes sense, and that's actually something I appreciate about the games. I enjoy the larger gulf between Sam and Max because it turns them into kinda-sorta-but-not-quite foils for each other, which we don't really get in the comics. Not at all a slight against the comics, though -- I love them too much for that. It's more a matter of personal preference, of what gives me more of a kick when it comes to interplay between "dynamic duos."
That said, I do agree that giving Sam more to do than solve puzzles and volley jokes to Max can only be a good thing. I look forward to finding out what you mean by "Sam's character getting more interesting" during the season.
(Oh, and, um, my question was referring more to Max getting to become president, a priest, and having his latent psychic powers realized while Sam apparently Can't Have Nice Things, so to speak. I'm not sure if I got that across before, or if I'm just missing something. It's pretty late right now, after all ... )
So who is designing each of the remaining season 3 episodes?
To the best of my knowledge (I am possibly incorrect here, but...):
1 is Chuck
2 is Andy Hartzell (W&G: Fright of the Bumblebees, W&G: The Bogey Man) with Brendan Ferguson (Sam & Max Season One, Sam & Max Season Two) doing some early work with the design as well.
3 is Joe Pinney (Tales of MI: Lair of the Leviathan, W&G: The Last Resort) design, and Mike Stemmle (Tales of MI: Trial and Execution of Guybrush Threepwood, Sam & Max Hit the Road) writing
4 is basically the reverse of that, from what I hear -- Mike designing, Joe writing
Okay, first of all, SO! EXCITED! And thanks for coming here and answering all our questions.
Right. Said questions:
The control scheme - Is it similar to ToMI, straight-up point'n'click like previous seasons, or something else? For the record, I really liked the controls in ToMI.
Also, new dialogue system! Very nice, very... Mass Effect-y. Speaking of, will there be any more dialogue-puzzles featuring direct control of Max's big mouth? I've really enjoyed the two (I think? Culture Shock and Ice Station Santa? Missing anything?) occasions where we've been able to switch back and forth between them in dialogue.
And finally, with all the new wacky stuff going on, will there still be a driving mini-game in every episode?
The control scheme - Is it similar to ToMI, straight-up point'n'click like previous seasons, or something else? For the record, I really liked the controls in ToMI.
Actually, there is a thread about that in the Sam & Max forum. Possible controls are Click&Drag, WASD, arrows, numpad and gamepad. I don't think I forgot any.
I didn't like the new way of making Sam talk. I preferred the old way, with the list, but i suppose I'll get used to it. Did you originally consider just keeping the old way for PC and changing it for PS3, or was it one way the whole way?
You mentioned stuff like Plan 9 from Outer Space and the Twilight Zone as being an influence on this series. Any other movies or any particular Twilight Zone episodes that I could watch to get in the mood for some freelance policing?
Hey Chuck,
my question is, after what happened to the Soda Poppers in Season 2, do you know if they will come back? And if not, what Soda Popper-like characters would pop up over the course of this series?
Sam and Max Season 2 and espacially Tales of Monkey Island clearly was comparable to animation films. Cutscenes, camera angles, storyline - a big step up in my opinion. On the other hand there is Heavy Rain with its dramatic, more realistic story (from what I read, don't own a console).
What is Telltale's account on episodic dramatic stories? Is this something Telltale like to/will try in the future? And would there be enough manpower to make such a game without abandoning your other franchises?
That's a tough one. I'm not sure how I feel about them. They do seem a bit annoying, and Wizzer's voice drives me nuts, but it is funny to see them randomly pop up.
To elaborate on what Chuck said, in the comics it's been hinted/insinuated that Max has latent psychic abilities, and they made a very public appearance in the comic "Beast from the Cereal Aisle," wherein Max does weird psychic battle with... a beast from the cereal aisle of a local grocery store.
Here's a panel:
I always believed that were more "Spiritual" powers than Psychic powers, which is totally diferent in my book. Now, if he has latent psychic powers at well, I'm not really surprised. He has to compensate the lack of atention span and long term memory with something.
Well, the comics treat Sam & Max as roughly equal in terms of insanity, but we have a harder time doing that in videogames. You can't have your "main" character be as completely unpredictable as Max, or you wouldn't be able to have any control over the story. So we've had to rein Sam in a little, and make him a little more Guybrush-y. We've been looking for ways to bring back a little of Sam's mania, though, and give him some more jokes instead of just handing them all over to Max. Over the course of the season, you should see Sam's character getting more interesting.
I know you've been waiting for my next question so here it is.
I noticed you said earlier, that this season will story heavy, what made you change your mind from going to case by case and then wrapping it up from the last few episodes, to having every episode more connected?
1. Around how many items would we be able to fill our inventory with during a single episode? Cuz in S&M season 1 it was like 4-5, and in ToMI it was more like 14-15.
I really like more items, it makes our brain work harder...
2. Around how much time each episode will take? TT episodes usually takes 4-6 hours each... Will the episodes be longer this time? More puzzles?
3. Will there be any BIGFOOTS?! S&M must have bigfoots!
I really, really liked the opening credits for S&M season 2. They really set the tone, and got you geared up for the episode. I hope the cold-open-to-opening-credits style has been retained for season 3? I didn't miss it in ToMI, because that's a different type of story, but a Sam & Max episode just showing credits at the bottom of the screen without great fanfare just doesn't seem right.
I hope so. Season 2 didn't have enough of them, only the mariachis and the friendly demon song. Season one had like one per episode.
While this is true, I do like the way Season 2's songs complemented the story.
In Season 1 I kinda got the idea that they were just trying to fit a song in there somewhere.
While this is true, I do like the way Season 2's songs complemented the story.
In Season 1 I kinda got the idea that they were just trying to fit a song in there somewhere.
Even if that's the case, it's Sam and Max. Randomness isn't a problem.
Not that I have a problem with it being tied to the story I guess.
Does the story have to get bigger? I think it can get different. Sam & Max isn't like Lost where each season we zoom out to an even more macro view. It could take a hard right turn and spend half the season in a pocket dimension found in Jimmy Two-Teeth's rathole, and would be alright.
Obviously you've thought this through more than I have. Also, now I want to see that game made!
From the three episodes I've played so far (Culture Shock, Situation: Comedy, and Abe Lincoln Must Die!), I've liked them. Then again, I also can't seem to figure out why people hate Brady Culture, so to each his own.
1. So you've stated that story and design come first. Then puzzles. When you finally get to puzzles to you keep in mind technical limitations or do you design the puzzles and then see how much you're going to have to expand the engine? Does this lead to a lot of delays or frustration?
2. Are there any easter eggs in any of the seasons?
Chuck Specific Question:
1. Cajun Zombie?
Ben Specific Question:
1. Is engine development done separately from game development? Like are you constantly trying to improve the engine and add neat features independent of any feature requests that may come out of a particular game's needs?
Shauntron Specific Question:
1. Hi there! What do you do at TellTale?
Jake Specific Question:
1. Hi Jake. I think I remember you from the TMI pre-order forum. You do web stuff right? Is there going to be any fun web integration in DPH like the treasure hunting game from TMI?
From the three episodes I've played so far (Culture Shock, Situation: Comedy, and Abe Lincoln Must Die!), I've liked them. Then again, I also can't seem to figure out why people hate Brady Culture, so to each his own.
I can think of a few other people who've mentioned they don't hate the Soda Poppers (myself included, incidentally). But since most of the fandom would go into a conniption fit if they ever returned, it's probably for the best they don't.
I can think of a few other people who've mentioned they don't hate the Soda Poppers (myself included, incidentally). But since most of the fandom would go into a conniption fit if they ever returned, it's probably for the best they don't.
Oh, I liked them for their run, but it feels like their "arc" is over. They've really served their purpose by the end of the last episode of Season 2. Maybe it's better that most people didn't like them along with Sam and Max, so that they could have a satisfying story arc that ENDS.
Oh, I liked them for their run, but it feels like their "arc" is over. They've really served their purpose by the end of the last episode of Season 2. Maybe it's better that most people didn't like them along with Sam and Max, so that they could have a satisfying story arc that ENDS.
I admit they weren't my favorite side characters. Actually in the list of side characters they're in the bottom five of characters I could do with out. But they definitely had redeeming value int he later episodes when they got away from their initial concept of 'amusingly annoying' and more 'making fun of the fact that they are amusingly annoying'. I admit the whole Dakota war made me laugh the first time.
Nope, still no inventory combination in Sam & Max. It's something that's inherent to Monkey Island games, so it would've felt odd if it hadn't made it into those. But the Sam & Max games never really seem to need it.
I don't really get it. I never associated inventory combination with Monkey Island any more than with any other of the old lucasart games. Seems to me it's just part of adventure gaming as a whole, not of any specific game or franchise.
Not that i really care if there IS or not some item combination in season three, especially since the whole psychic powers thing seems more than enough to mess with and improve gameplay, and i sure agree with the "if it's not needed, why use it ?" approach, but i just don't really understand why it felt more "necessary" to you in MI than here.
Comments
1) If you could choose one episode from the previous seasons to revisit/recreate using the resources Telltale currently has at its disposal, which would it be? Why?
2) The animation student/hobbyist in me is curious: As far as you can answer, how much of what's involved in creating an animated short or feature film translates into how you create games? Especially now that you're able to use a more cinematic approach?
3) From what we know so far, The Devil's Playhouse is continuing a pattern we've seen in all of Sam & Max's incarnations -- Max gets to stumble onto and wield great power while Sam maintains something of a Badass Normal status (all minor deviations from which notwithstanding). If you could think of a good enough plot- or character-related reason to buck that trend in a major if non-permanent way, would you do it? Or do you guys think this particular dynamic is too important or intregal to tamper with?
Hey a question for me! As we've done games on the Wii and Xbox, our engine has gotten better and better about keeping platform specific code isolated. The Mac port definitely builds on the architectural work we've done for past platforms. I wasn't at Telltale at the time, but I hear the first non-PC game we did was quite painful.
There is if you truly believe in him!
Actually, it's unlikely. Mack Salmon (and Commander Blip and the Rubber Pants Commandos, too) is a great character, but he kind of works best as a one-shot. They did a pretty good job bringing him back for an episode of the cartoon series, but in the games we're trying to hit a balance between hitting all the stuff you like from the comics and also introducing new stuff.
I believe it's mentioned in one of the commentary tracks. The puzzle where you had to make young Max not like girls was originally intended to involve a game of spin-the-bottle. It was changed into a much better idea.
Sam & Max avoid the touristy spots, but you can't have a game set in New York without running across some familiar locations.
Writing and design are more closely tied together at Telltale than a lot of other companies, since the games are so heavily story-based. Usually the writer and designer are the same person, or the writer is at least involved in the design meetings. We always (so far anyway) start with the story, and then try to figure out how the big story moments could break down into obstacles that the player can get solve.
Episode 1 of season 3 isn't due out for a while, so we haven't even begun to think of season 4. We'll probably think up some way to get the forums involved in season 3, although it can't be as huge as an entire episode since we've got the storyline pretty much wrapped up.
One example is Max's future vision power. He can use it on most characters and some objects to get a short scene showing their future. The idea is how does it change traditional adventure game puzzles if you get the solution first, and then have to work backwards from that?
At just about any point of the game, you can hit a button and switch control from Sam to Max (and vice versa). In Max mode, you enter Max's mind and can look around through his eyes. Max mode is where you use Max's psychic powers. Sam mode works pretty much like it always has -- you can walk around, look at things, add stuff to your inventory, start dialogues, etc.
I can't tell you all the characters that'll show up, or it'd ruin the surprises later on. I will say that some of the characters from previous seasons will be back, and several won't. Some of the characters' stories were pretty much finished in season 2, so there's not much point bringing them back.
Nope, still no inventory combination in Sam & Max. It's something that's inherent to Monkey Island games, so it would've felt odd if it hadn't made it into those. But the Sam & Max games never really seem to need it.
No, most of the powers work on characters or objects in the world, or Sam & Max themselves. The stuff in Sam's inventory is usually pretty straightforward and just works on its own.
I may be misunderstanding your question, but: Max's "inventory" is his psychic powers. He is a playable character, but you don't use him to walk around and look at/use things around the world, because that would be overkill. Sam already does that, and Max already chimes in whenever he has something to say.
This season mashes together a bunch of stuff we (and Sam & Max) think is cool, so the references are all over the place. There's some science fiction, horror, film noir, mystery, pulp adventures, and some more stuff that I'm probably forgetting right now. Lovecraft is one of the influences, so good catch just from the title.
Some characters are definitely going to be back, including some of the villains.
Because Telltale's games are so story-heavy, you can't do puzzle design without story, and vice versa. So it's all done at the same time, and the goal is that the obstacles fall naturally out of the story without feeling like "puzzles."
To elaborate on what Chuck said, in the comics it's been hinted/insinuated that Max has latent psychic abilities, and they made a very public appearance in the comic "Beast from the Cereal Aisle," wherein Max does weird psychic battle with... a beast from the cereal aisle of a local grocery store.
Here's a panel:
So not only is it weird, but it's canon as well
(PS: If you're a Sam & Max fan but haven't yet read the comics, you definitely should. And yes, in fact, we do sell the comic collection right here in our store.)
Some of the other guys may have a different answer, but I wouldn't really redo anything. I think the new environments and characters look fantastic, and it's great to see everybody's hard work paying off and the chore guys' having more tools at their disposal. But I'm not an art guy, so the appeal of the other episodes was always the stories and the characters, which worked fine with the "old-style" environments.
I saw a comment somewhere saying that the models hadn't been improved in season 3, which is disappointing since they got bumped up exactly where it counts: in the faces. They can do a lot of the expressions from the comics now, and it makes a world of difference. It would be interesting to see how the old scenes play out with the new facial animation, but I think the jokes carried about as well as they could even with the old models.
(While I'm thinking of it: I've actually seen some people online complaining that Sam & Max should've been made "furry". That's just wrong!)
A lot more than I'd be able to tell you, since I don't really come from that background. The chore artists have a lot more power now to use more interesting camera angles and make more interesting camera movements, especially since we've switched over to direct control. And there's a lot more power on the lighting side of things as well, so Derek Sakai's been able to do some fantastic things with lighting the scenes and using dynamic lights. You'd think it's subtle until you see it in action, and it makes a huge difference. (We don't use pre-rendered screenshots anymore!)
It's gotten sophisticated enough that there's now a separate "cinematic director" role at the studio, to look at the game as if it were an animated film and make sure all the scenes and setups work cinematically. Nick Herman handled that on 301, along with Dennis Lenart as lead chore artist.
Well, the comics treat Sam & Max as roughly equal in terms of insanity, but we have a harder time doing that in videogames. You can't have your "main" character be as completely unpredictable as Max, or you wouldn't be able to have any control over the story. So we've had to rein Sam in a little, and make him a little more Guybrush-y. We've been looking for ways to bring back a little of Sam's mania, though, and give him some more jokes instead of just handing them all over to Max. Over the course of the season, you should see Sam's character getting more interesting.
But you know, Max just is, and that's half the fun of the characters.
No plans at the moment. I think some people on the forum have had some success with WINE.
You mentioned above that Plunge Through Space would take them far into Sci-Fi territory, while this is more "grounded". Is deep space the next logical step, though? For the story to get "bigger", do we have to...well, plunge through space? Or can we be content to have Sam and Max just drive to Mars once while globe-trotting?
Does the story have to get bigger? I think it can get different. Sam & Max isn't like Lost where each season we zoom out to an even more macro view. It could take a hard right turn and spend half the season in a pocket dimension found in Jimmy Two-Teeth's rathole, and would be alright.
The writing and characters is what I fell in love with in the earlier games, and I wouldn't be here if I didn't believe I was getting more of that along with the snazzy new visuals. So a definite "agreed" on that point.
The improved facial animations were one of the aspects of ToMI I got the most excited about. I'll take expressiveness over superfluous polygons any day. On that note ...
... Yeah. No comment. Well, except for this, which is awesome mostly because it's a one-shot deal, not in spite of it.
Makes sense, and that's actually something I appreciate about the games. I enjoy the larger gulf between Sam and Max because it turns them into kinda-sorta-but-not-quite foils for each other, which we don't really get in the comics. Not at all a slight against the comics, though -- I love them too much for that. It's more a matter of personal preference, of what gives me more of a kick when it comes to interplay between "dynamic duos."
That said, I do agree that giving Sam more to do than solve puzzles and volley jokes to Max can only be a good thing. I look forward to finding out what you mean by "Sam's character getting more interesting" during the season.
(Oh, and, um, my question was referring more to Max getting to become president, a priest, and having his latent psychic powers realized while Sam apparently Can't Have Nice Things, so to speak. I'm not sure if I got that across before, or if I'm just missing something. It's pretty late right now, after all ...
But of course!
To the best of my knowledge (I am possibly incorrect here, but...):
1 is Chuck
2 is Andy Hartzell (W&G: Fright of the Bumblebees, W&G: The Bogey Man) with Brendan Ferguson (Sam & Max Season One, Sam & Max Season Two) doing some early work with the design as well.
3 is Joe Pinney (Tales of MI: Lair of the Leviathan, W&G: The Last Resort) design, and Mike Stemmle (Tales of MI: Trial and Execution of Guybrush Threepwood, Sam & Max Hit the Road) writing
4 is basically the reverse of that, from what I hear -- Mike designing, Joe writing
5 is Chuck
They wanted it to be closer to the feel of the comics.
Right. Said questions:
The control scheme - Is it similar to ToMI, straight-up point'n'click like previous seasons, or something else? For the record, I really liked the controls in ToMI.
Also, new dialogue system! Very nice, very... Mass Effect-y. Speaking of, will there be any more dialogue-puzzles featuring direct control of Max's big mouth? I've really enjoyed the two (I think? Culture Shock and Ice Station Santa? Missing anything?) occasions where we've been able to switch back and forth between them in dialogue.
And finally, with all the new wacky stuff going on, will there still be a driving mini-game in every episode?
Actually, there is a thread about that in the Sam & Max forum. Possible controls are Click&Drag, WASD, arrows, numpad and gamepad. I don't think I forgot any.
my question is, after what happened to the Soda Poppers in Season 2, do you know if they will come back? And if not, what Soda Popper-like characters would pop up over the course of this series?
Sam and Max Season 2 and espacially Tales of Monkey Island clearly was comparable to animation films. Cutscenes, camera angles, storyline - a big step up in my opinion. On the other hand there is Heavy Rain with its dramatic, more realistic story (from what I read, don't own a console).
What is Telltale's account on episodic dramatic stories? Is this something Telltale like to/will try in the future? And would there be enough manpower to make such a game without abandoning your other franchises?
That's a tough one. I'm not sure how I feel about them. They do seem a bit annoying, and Wizzer's voice drives me nuts, but it is funny to see them randomly pop up.
I always believed that were more "Spiritual" powers than Psychic powers, which is totally diferent in my book. Now, if he has latent psychic powers at well, I'm not really surprised. He has to compensate the lack of atention span and long term memory with something.
Agree
You just made a Fan Girl really happy.
I noticed you said earlier, that this season will story heavy, what made you change your mind from going to case by case and then wrapping it up from the last few episodes, to having every episode more connected?
1. Around how many items would we be able to fill our inventory with during a single episode? Cuz in S&M season 1 it was like 4-5, and in ToMI it was more like 14-15.
I really like more items, it makes our brain work harder...
2. Around how much time each episode will take? TT episodes usually takes 4-6 hours each... Will the episodes be longer this time? More puzzles?
3. Will there be any BIGFOOTS?! S&M must have bigfoots!
2. Is the giant stone head of Abe Lincoln also in Season 3? (I don't hope so. For me this head was the most annoying character in Season 2.)
While this is true, I do like the way Season 2's songs complemented the story.
In Season 1 I kinda got the idea that they were just trying to fit a song in there somewhere.
Even if that's the case, it's Sam and Max. Randomness isn't a problem.
Not that I have a problem with it being tied to the story I guess.
I liked them.
1. So you've stated that story and design come first. Then puzzles. When you finally get to puzzles to you keep in mind technical limitations or do you design the puzzles and then see how much you're going to have to expand the engine? Does this lead to a lot of delays or frustration?
2. Are there any easter eggs in any of the seasons?
Chuck Specific Question:
1. Cajun Zombie?
Ben Specific Question:
1. Is engine development done separately from game development? Like are you constantly trying to improve the engine and add neat features independent of any feature requests that may come out of a particular game's needs?
Shauntron Specific Question:
1. Hi there! What do you do at TellTale?
Jake Specific Question:
1. Hi Jake. I think I remember you from the TMI pre-order forum. You do web stuff right? Is there going to be any fun web integration in DPH like the treasure hunting game from TMI?
I can think of a few other people who've mentioned they don't hate the Soda Poppers (myself included, incidentally). But since most of the fandom would go into a conniption fit if they ever returned, it's probably for the best they don't.
I admit they weren't my favorite side characters. Actually in the list of side characters they're in the bottom five of characters I could do with out. But they definitely had redeeming value int he later episodes when they got away from their initial concept of 'amusingly annoying' and more 'making fun of the fact that they are amusingly annoying'. I admit the whole Dakota war made me laugh the first time.
I don't really get it. I never associated inventory combination with Monkey Island any more than with any other of the old lucasart games. Seems to me it's just part of adventure gaming as a whole, not of any specific game or franchise.
Not that i really care if there IS or not some item combination in season three, especially since the whole psychic powers thing seems more than enough to mess with and improve gameplay, and i sure agree with the "if it's not needed, why use it ?" approach, but i just don't really understand why it felt more "necessary" to you in MI than here.